Stephanie Porras, Assistant Professor, History of Art
Stephanie Porras specializes in Northern European art of the fifteenth to seventeenth centuries. Before coming to Tulane in 2012, she previously taught at Columbia University, the Courtauld Institute of Art and University College London.
Porras’s research and teaching interests include: the idea of antiquity in the North, the emergence of genre imagery, early modern print culture, the Flemish presence in New Spain, and early modern notions of the copy. She has just completed a book, Pieter Bruegel's Historical Imagination (Pennsylvania State University Press, 2016), which proposes a new understanding of Bruegel as an artist deeply concerned with history. In addition to articles on Bruegel and Netherlandish prints, she has also spent the past several years studying the early drawings of Albrecht Dürer, most recently co-editing and contributing to an exhibition catalogue The Young Dürer: Drawing the Figure for an exhibition held at the Courtauld Institute, London in 2013. Her current project is a micro history of an understudied yet ubiquitous early modern artist; Maarten de Vos: a Renaissance life in-between considers the impact of travel, the wars of religion and the dawn of globalization on artistic identity and visual culture. Her research, publications and teaching have been supported by grants and fellowships from the Renaissance Society of America, the College Art Association, Historians of Netherlandish Art, the New York Public Library, the J. Paul Getty Foundation, the British Academy and the National Endowment for the Humanities. In Fall 2016, Professor Porras will be a Mellon Decade Fellow at the Sterling and Francine Clark Art Institute in Williamstown, Massachusetts.
Courses at Tulane:
Amsterdam as Global Capital of the Dutch Golden Age
Print, Power and Knowledge in the Early Modern period
Rubens to Rembrandt: Flemish and Dutch art of the 17th century
Theaters of the Baroque
The Spaces of Art
Van Eyck to Bruegel
What is a Copy? (Honors Colloquium funded by the National Endowment for the Humanities Enduring Questions program)
Pieter Bruegel's Historical Imagination, (Pennsylvania State University Press, 2016).
“Copies, cannibals and conquerors: Maarten de Vos’s The Big Fish eat the Small,” Nederlands Kunsthistorisches Jaarboek 64 (2014).
“Dürer’s copies,” in The Young Dürer: Drawing the Figure, eds. Stephanie Buck and Stephanie Porras (London: Courtauld Institute and Paul Holberton, 2013).
“‘ein freie hant:’ Autonomy, Drawing and the Young Dürer,” in Der frühe Dürer, ed. Daniel Hess and Thomas Eser (exhibition catalogue, Germanisches Nationalmuseum, Nuremberg, 2012).
“Folds, Traces and Holes: Dürer's Ideal Bodies,” in G. Ulrich Grossman and Petra Krutisch, The Challenge of the Object / Die Herausforderung des Objekts: The Proceedings of the 33rd Congress of the International Committee of the History of Art (Nuremberg: Germanischen Nationalmuseums, 2013).
“Producing the Vernacular: Antwerp, Cultural Archaeology and the Bruegelian Peasant,”Journal of the Historians of Netherlandish Art 3.1 (Winter 2010/11).
“Repeat Viewing: Hendrick Hondius’s Effigies” available at Picturing the Netherlandish Canon online exhibition, curated by Stephanie Porras and Joanna Woodall, funded by the British Academy, 2010.
“Rural Memory, Pagan Idolatry: Pieter Bruegel's Peasant Shrines,” Art History 34.3 (June 2011).
Tulane University, Newcomb Art Dept., 202 Woldenberg Art Center, New Orleans, LA 70118 504-865-5327 email@example.com